Photography wise, I'm pretty much looking exclusively for found abstraction these days. The B&W susbjects are usually quiet and tilt edgier than the Color Work - where bold, loud and graphic are what I'm chasing.

The Grid Series photomontages are one-off art constructions consisting of fifty-four 3" squares hand-cut from three separate Inkjet prints (archival Epson Hot Press paper).

My photography archive is an ongoing collection of frontline portfolios (e.g. landscape, architecture, people, etc), specialized albums and an eclectic mix of travelogues that include both recent and past work.